Elementary Secondary Education

(November 10, 2011) The U.S. Department of Education announced today 23 highest-rated Investing in Innovation (i3) applicants as potential grantees for the 2011 grant fund of the $150 million. The finalists, selected from nearly 600 applicants, must now secure matching private matching funds equivalent to at least 5% of Scale-up, 10% of Validation, or 15% of Development awards by December 9, 2011, in order to receive their grant.

Inventor and artist. A genius of “hip.” These have been some of the words used to describe Steve Jobs – a 21st-century visionary and innovator whom the world lost on the heels of National Arts and Humanities Month. His iPods, iPads, iTunes, Macs, and apps unleashed exciting new ways of communicating and learning for millions of students, who find history lessons coming to life in the palm of their hands, discover their fingertips as virtual paintbrushes, and create musical compositions at the touch of a screen.

The Arts Education Partnership (AEP), along with many others, is asking the questions: “Who will be the next Steve Jobs?” “What will be the next breakthrough to revolutionize our lives?” That’s because at the heart of AEP’s purpose is this question: “How do we harness the potential in every child and nurture a Jobs-like spirit of ‘curiosity seeker’ in each of them?” With this purpose in mind, AEP galvanizes the power of partners across many sectors to promote the essential role the arts play in helping all students succeed in school, life, and work. Unfortunately, as much as arts are a part of a complete and well-rounded education, their place in America’s P-12 education system is still threatened by narrowed curricula, conflicting policies, and budget shortfalls.

In proclaiming October as National Arts and Humanities Month, President Obama said the arts and humanities “speak to our condition and affirm our desire for something more and something better.”  A new poster from the National History Clearinghouse, "How Do You Piece Together the History of the Civil War?,” employs images of objects such as a quilt, a map, some photographs, a haversack, and a receipt to deepen understanding of the Civil War and about how historians piece together the past.

This 24-by-36-inch poster features a collage of primary sources and related questions that get students thinking about how we know what we know about the past, as we do with all history, but especially in relation to our country’s most devastating conflict, the Civil War. The question, “How can geography impact a battle?,”  accompanies a map of Gettysburg while a slave receipt prompts students to think about the laws, economics, and, most importantly, people involved in the institution of slavery.